Last week, I reviewed some of the eye makeup items in Lancôme’s fall 2009 collection. Today, I will share my thoughts on some items from the rest of the collection.
151, 152, and 153)
To formulate Color Fever Matte, Lancôme tried to combine a matte finish and a smooth and nourishing texture, two things that don’t always co-exist. I think the end result is quite successful. While delivering a velvety matte finish, they glide on easily and don’t make lips feel or look dry.
Among the three shades, 151 Red Avant-Garde (left) is the most vivid and the closest to cardinal red. 152 Red Paris Paris (middle) is slightly cooler and more rose-toned, and it goes on slightly darker than 151. 153 Red Libertine (right) is the most muted and is perhaps the most wearable for those who don’t usually wear rich reds for the lips.
You can wear these colors with a lip liner for a defined and classic look, but my favorite way to apply them is to keep them just inside the lip line and use the fingertip to blend the color gently towards the lip line to create a softer edge and a more sensual look.
The two new Color Fever Gloss shades in this collection are 026 Pure Gold and 125 Aaron’s Red. Aaron’s red is a vibrant cool-toned shimmer-less red. (It goes on cooler than it appears in the tube.) While imparting a glossy transparency, the color (when worn alone) is very intense and the overall look resembles a lipstick-plus-gloss combination. I think the shade can be compared to that of strawberry jelly, which is color-rich but still transparent. Plus the shade does look mouth-watering…
Pure Gold has a completely different finish. It is a semi-opaque gold with fine multi-colored shimmer, and the richness of the color does resemble liquid gold. One coat of it gives the lips a yellow-based neutral tone. (It is a nice way to create a natural neutral tone for the lips without making them overly pale or ashy.) Two or more coats will start to create a rich gold-foil shine.
Both shades complement Color Fever Matte well. Aaron’s Red adds lip-plumping glossiness to the matte finish, while Pure Gold on the center of the lips makes the lips look stunningly luxurious. (If you don’t want any glossiness on the lips but still want a touch of gold, Aaron suggests using one of the golds in the eye palettes for a glistening gold-dust finish.)
Rose Liberté is created to add a veil of gold to the complexion. Some might be disappointed to know that the vibrant shimmer is an overspray, but I think the softly luminous gold-toned beige powder underneath is much more user-friendly. (I think the overspray, which has the same multi-colored shimmer as that in the Pure Gold Color Fever Gloss, is more suited as an eyeshadow.)
Also in this collection is the Powder Brush, which is designed to help apply not only Rose Liberté but also other loose and pressed powder products. The large fluffy brush feels soft on the face and is angled for more flexibility in the application.
Here are my personal picks from the collection:
– Palette Liberté in Bleu Royauté (signature item of the collection)
– Palette Liberté in Or Liberté (chic and wearable)
– Color Fever Matte in Red Paris Paris (vivid but elegant)
– Color Fever Gloss in Pure Gold (versatile and ultra-glamorous)
One of the demanding tasks of an artistic director of an international beauty brand is to express his/her unique vision as an artist and to create products with a mass-market appeal on a global scale. I think Aaron De Mey has done a great job with Lancôme’s fall 2009 collection. The creative vision is crystal-clear, and the products, thorough which we are able to see his original ideas, not only aim to set trends but also attempt to create classics. I wonder what is going to wow us in spring 2010…
Other fall 2009 makeup collections: