all about Japanese cosmetics

(Kosé Sekkisei, one of the best-selling
whitening line in Japan ever)
(image from www.kose.co.jp)
(Shiseido Haku 2, a recent sensation)
(image from www.shiseido.co.jp)
Last week, one of my readers asked me to write about whitening products in Japanese cosmetics. Since a friend of mine in the US also asked me about them a while ago, I decided that it was the time to highlight them on my blog.

I need to say at the onset that there is a reason why I have not talked about them, and it is that most of them simply don’t live up to their claims. Despite that, there are various aspects of this major Japanese skincare “phenomenon” that I would like to present, so this will be an extended post.

First of all, just to be clear, whitening products sold in Japan and some other Asian countries are not skin-bleaching products, the sales of which are illegal in many countries around the world. If the mechanisms of whitening products do work, what they do is to bring the coloration of the skin back to the tan-less state.

Most major Japanese cosmetics brands have a fully-fledged whitening line, with products from cleansers to foundations. The most established brands even have several different whitening lines. For example, Shiseido has UVWhite, White Lucent, and the recently very successful Haku (seen above).

(Shiseido UVWhite)
(image from www.shiseido.co.jp)

Many major western cosmetics lines also have Asia-exclusive whitening lines:

(Estee Lauder Cyber White EX)
(www.esteelauder.co.jp)
(Lancôme Blanc Expert Neurowhite X³)
(image from www.lancome.jp)
(Helena Rubinstein Agewhite Reverser)
(image from www.helenarubinstein.jp)
One key thing to bear in mind is that, in Japanese cosmetics, “whitening” and “brightening” are usually two facets of one skincare concept. In the most general terms, whitening products incorporate melanin inhibitors and exfoliating agents to attempt to fulfill their promises. While melanin inhibitors are supposed to slow down the production of melanin and, as an indirect result, help the existing tan to fade faster, the exfoliating agents clear out the dead skin cells so the skin looks smoother and more even and therefore appears brighter and “whiter”.

With this concept as the basis, many Japanese and western cosmetics brands have a full whitening skincare and base makeup range. Typical items include:

Makeup remover & face wash: They are designed to deep cleanse the skin and get rid of dead skin cells.

Toner: It often has exfoliating agents like fruit acids and more than a fair amount of alcohol to help strip off the dead skin cells.

Serum: It is usually billed as the key item of a whitening line and is supposed to have the highest concentration of melanin inhibitors and, in some cases, exfoliating agents. Counter assistants usually recommend the serum if one wants to venture into whitening skincare products but doesn’t want to invest in the whole line.

Mask: More melanin inhibitors and exfoliating agents.

Nighttime moisturizer: More melanin inhibitors and exfoliating agents.

Daytime moisturizer: It usually has a high SPF (around 30 or more) and PA level. (PA indicates the level of UVA protection, ranging from PA+ to PA++++.) It usually also incorporates micro light-reflective particles to give an illusion of brightness and luminosity.

Concealers/ foundations: Again, high SPF and PA as well as a lot of light-reflective particles.

A more elaborate whitening line usually includes items like:

Wipe-off lotion: It is used right after cleansing (and before toning) to further strip the dead skin cells off the skin. It is used on a cotton pad and applied in a wiping (not patting) motion.

Massage cream: Used right after cleansing (and after the wipe-off lotion), it attempts to boost blood circulation and to combat dullness in order to achieve a brighter complexion.

Eye cream: It is specifically for the eye area and is not necessarily targeted at getting rid of dark circles.

So, do they actually work?

In most cases, quite unlikely. The reason why they don’t usually work is very similar to why self-proclaimed anti-aging skincare products don’t usually work. Whitening products exist mainly because customers want to be told that they can achieve what they want to achieve. This is exactly how anti-aging products market themselves. (Almost coincidentally, wearing a sunscreen happens to be the simple answer to both anti-aging and whitening…)

Also, in Japanese cosmetics, whitening products are by far the most frequently revamped products. (A complete new line or new additions to an existing line are usually brought out at this time of year because the weather is about to get warmer and sunnier and people start to get more concerned about sun exposure.) With most brands, the whitening range gets revamped (to various extents) every year or every other year. Most companies want customers to believe that the whitening technology is improving, but, in almost all cases, products are not delivering the goods, so new ones need to be brought out, with new pseudo-scientific claims and new glowing results from non-independent research.

Plus, I rarely hear people missing a certain whitening product when it is discontinued and replaced by a new version. That alone is quite telling.

On a personal level, for a couple of years quite some time ago (when I was avidly experimenting with all kinds of skincare products), some of the whitening products that I tried are the harshest skincare products that I have ever used. Many Japanese toners and moisturizers already have a lot of alcohol (which simply should be avoided in any skincare product), and whitening toners and moisturizers sometimes have even more. (Despite its popularity, Kosé’s Sekkisei is perhaps one of the most skin-irritating products I have ever tried, as it is heavily loaded with alcohol.) Judging by the ingredient lists of many current whitening products, it seems that nothing has changed.

(To be fair, I am sure there are a few whitening products that are a little more gentle. Out of the several that I bought during that time, only the whitening serum by Sofina was something I remotely liked. It was free from alcohol and exfoliating agents. What it achieved was simply a more even complexion, but so can any well-formulated moisturizer.)

On a related note, every year, the names of a brand’s whitening line and individual whitening products incorporate such blatantly suggestive terms, so much so that I find them almost amusing.

(Beauté de Kosé White Succeed)
(image from www.kose.co.jp)
Here are just some of the names (of current and previous whitening lines) to show how some cosmetics companies desperately want to convince customers that their products are the answer to everything:

Helena Rubinstein: Premium White (2006), Divine White (2007), Age White (2008)
Guerlain: Perfect White
Givenchy: Doctor White
Estee Lauder: Cyber White
Lancôme: Blanc Expert NeuroWhite
Clinique: Active White (2005), Derma White (current)
Cosme Decorte: Whitelogist
Pola: White Shot Melano Shooter
SKII: Whitening Source Derm-Revival
Dior: DiorSnow Sublissime
Origins: Light Years Ahead

Currently, the Kanebo website is building up to the grand launch of their latest whitening serum. The name:

Whitening Conclusion

I can’t help but wonder what they will name their new whitening product in 2009. I am extremely curious…

(On a minor note, as you might have observed, a lot of ads for whitening products feature blue as the predominant accent color. In Japanese culture, blue denotes purity, lucidity, and transparency and goes well with the idea of whitening products.)

However, there is still a lesson to be learned from this whole whitening phenomenon in Japan, which doesn’t involve whitening products themselves. Because many Japanese people strive to have a milky and porcelain-white complexion, they tend to be very diligent and almost religious about applying sunscreens.

So, even though their long and winding road to a perfect/premium/divine/active/cyber white complexion might be never-ending, at least they are keeping their skin optimally protected against the harmful and aging UV rays and maintaining a healthy and youthful appearance of their skin.

Related Posts:

A Touch of Blusher‘s Anti-Aging Series

Sunscreen Basics

10 Golden Skincare Rules

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— For those following Jill Stuart’s Launch in Taiwan, see the initial price list of some of the items. As predicted, the retail prices in Taiwan are cheaper than those (including sale tax) in Japan. Most items are about 7% cheaper.

— Have a look at a large photo of Anna Sui’s new Oil Control Paper case on a Japanese blog. Check out the details and the enclosed mirror.

Uno is Shiseido’s well-known male haircare/skincare drugstore line. Recently, Orlando Bloom has been their spokesperson and you can see some of the TV commercials on Uno’s website. Here is the latest mini-movie version:


(from http://www.shiseido.co.jp/uno/
via acdticojp at Dailymotion)

I know it is a little predictable…but I don’t mind. It’s Orlando Bloom.

(The actress in the commercial, Kuriyama Chiaki, is one of the four brand ambassadors for Shiseido Maquillage.)

You can see another extended TV commercial posted by The Punk Cat.

Related Posts:

Must-Try Look for Spring 2008
(featuring another Japanese TV commercial)

Loving Japanese Brand – Jill Stuart
(See part of my stash.)

Anna Sui’s Sui Lip Gloss in 100
(the latest addition to my blue bonanza)


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My post on the Jill Stuart launch in Taiwan has been updated with information on the specific store and date of the launch.

Do check it out!

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(Radiant Pastels
Shiseido The Makeup Spring 2008 Collection)
(image from www.shiseido.com/themakeup)

With Dick Page as the artistic director, Shiseido The Makeup‘s spring 2008 collection is looking fresh and colorful. (On the Shiseido website, the collection is billed as a (Dick Page) “inspired collaboration”.) While there are no new product designs, this is a visually very pleasing collection, from the shade selection to the ad image.

The collection includes:

— Hydro-Powder Eye Shadow: 4 new shades (seen below)
— Shimmering Lipstick: 4 new shades
— Multi-Shade Enhancer: 2 shades, Terra-Cotta Glow and Sunset Glow (Sunset Glow is a limited-edition item from summer 2007 and is now a regular product.)

(Hydro-Powder Eye Shadow)
(image from www.shiseido.com/themakeup)


I have tested Hydro-Powder Eye Shadow in H10 Languid Lagoon at the counter. The actual color is darker than what we see in the image above. It also looks greener and is less aqua-ish. I have to say, for me personally, it looks slightly better on the website and in magazine pages.

I might not pick up any item from this collection, but I will still look forward to more creations from the master.

Related Posts:

Shiseido Clé de Peau Spring 2008 Collection
(another gorgeous ad image)

Spring 2008 Makeup Trend Report
(featuring key items for this season)

Must-Try Look for Spring 2008
(trendy and wearable)

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(a tearful diva)
(image from www.kao.co.jp/est)

A reader once asked me why, regardless of the generally consistent quality, certain Japanese makeup lines (under the same company) are more expensive than others. To summarize my answer for her, apart from the fact that price-points and target consumer groups define each other, more prestigious makeup lines tend to have a fuller philosophy behind their creations.

One prime example is Sofina EST.

Sofina‘s EST is not new. It has been a skincare line under Kao’s Sofina for many years, and it is Sofina’s most expensive line. In fall 2007, EST launched a full color makeup line, following the earlier debut of the base makeup range. (While, obviously, the brand name reminds people of the superlative suffix “-est”, Sofina also advocates that it is an acronym for “Essence of Sofina Technology”.)

The over-arching concept of EST’s color makeup is Emotional Beauty. As our faces are always displaying various feelings and emotions, EST attempts to use colors and finishes to enhance our day-to-day expressions of emotions. So, our beaming smiles look even more dazzling, our focused determination is even more infectious, and our sorrow melts the hardest of hearts.

(image from www.kao.co.jp/est)


I love EST’s recent ad images. They are beautifully and subtly compelling, with colors that enhance the facial features rather than overtake them. To embody the essence of the line, the model (April) displays a much wider range of emotions than what we usually see in makeup advertisements. The image on the top of this post is by far my favorite. As for the two below, I call them “despair & hope”:

(image from www.kao.co.jp/est)

(image from www.kao.co.jp/est)

However, all this ethos will be hollow if it can’t translate to product designs. So how does EST carry out their promise?

One item that defines the line is Emotional Aura Pact. Essentially, this is a highlighter for the eye area. It includes four subtly different shades of various finishes and opaqueness, and each of them is used on a specific part of the eye area.

(Emotional Aura Pack)
(image from www.kao.co.jp/est)


Apart from the eye area, this multi-purpose item can also be used around the lips to sculpt your pout. So, when you feel surprised, happy, curious, excited, inspired, or moved, this item is designed to capture your million faces and help them make a lasting impression.

Also, so far, I have come across good comments on Emotional Aura Eyes, the eye palette range:

(Emotional Aura Eyes palettes)
(image from www.kao.co.jp/est)


After the huge success of Kanebo’s Lunasol in the last couple of years, Kosé’s Magie Deco and Sofina’s EST were two of the major makeup launches in late 2007 that posed as rivals. Similarly priced and packaged with a sophisticated flair, they appeal to similar demographics. With a strong and distinctive concept behind it, Sofina EST’s development and evolution will be immensely interesting to chart and will serve as an indication of the future of Japanese cosmetics.

[Even though Sofina is available in Japan and several other countries in Asia, the EST line is currently only available in Japan as far as I know. The EST website is for information only and does not offer on-line ordering.]

Related Posts:

Loving Japanese Brands – Lunasol
(my current favorite Japanese brand)

Brand Profile: SUQQU
(a reverse strategy that works)

Coffret D’Or 3D Lighting Eyes
(replacing the beloved T’Estimo)

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(Loving Japanese makeup)

As a fan of Japanese cosmetics, apart from all the colorful products available, I am also interested in knowing more about the history behind the various brands and companies. So I was delighted to come across a time-line featuring the launches of many major Japanese cosmetics companies in Biteki‘s January 2008 issue. Let’s have a look:

1872 Shiseido

1887 Kao

1929 Pola

1936 Kanebo

1946 Kosé

1956 Albion

1959 Menard

1967 Shu Uemura

1972 DHC

1981 Fancl

1987 IPSA

1991 Ettusais

1995 AYURA

1996 Equipe (which now owns RMK and SUQQU)

(Biteki, January 2008, p. 102-125)

It is interesting that, like many western cosmetics brands, some of the recent major Japanese cosmetics companies in the last couple of decades have also been acquired by more established ones. For example, IPSA, Ettusais, and AYURA were acquired by Shiseido. Kanebo now owns Equipe, while Kosé owns Albion. Also, in early 2006, Kanebo was sold to Kao.

I will be equally interested in these slightly more corporate and behind-the-scene developments and in all the shiny new releases from these brands…

Related Posts:

All About Japanese Cosmetics

(consolidating my passion)

“Loving Japanese Brands” Series
(my favorite seven)

Japanese Brands in the UK
(featuring where to get them from outside the UK)

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(part of the SUQQU spring/summer 2008
base makeup lineup)
(image from www.suqqu.com)

As SUQQU is one of the few Japanese brands available in the UK (in London’s Selfridges), I always look forward to all the new releases.

Following the spring color collection, released earlier in Japan and launching in the UK later, SUQQU will release the spring/summer base makeup collection on March 15th.

With many Japanese cosmetics brands, the spring/summer base makeup releases, mostly in March, tend to focus on sebum-controlling and maintaining a fresh complexion. On the other hand, the fall/winter lineups (launched around September) are more about combating dryness and creating a luminous look.

SUQQU’s base makeup collection for fall 2007 features a very delicately smooth and luxuriously velvety Powder Foundation Glow. It goes on beautifully, has a good coverage, and covers pores well, but it lacks the sebum-controlling ability. So it will be interesting to see what the new Powder Foundation Fresh can do.

The SUQQU spring/summer 2008 base makeup lineup includes:

Powder Foundation Fresh: 6 shades, 11g, SPF 27 PA++

Liquid Foundation Aqua: 6 shades, 24ml, SPF 26 PA++

Face Protector N (daytime sunscreen): 30g, SPF 30 PA+++

I am expecting these to be launched in the UK in April, and I look forward to testing all the items, especially Powder Foundation Fresh. If it has all the merits of Powder Foundation Glow plus a decent shine-controlling ability, it could be an all-round winner for me!

Related Posts:

Loving SUQQU
(my personal take on SUQQU)

Anna Sui spring/summer 2008 base makeup collection
(featuring a cute loose powder compact)

Kanebo Coffret D’Or spring/summer 2008 base makeup collection
(More loose powder for me to try?)

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(Albion Eprise Water Face Color in 100)

Before talking about my first ever Albion purchase, I’d like to briefly mention the brand itself.

Albion is one of the largest cosmetics brands in Japan. I have also occasionally come across passing mentions of Albion as a brand favored by the Japanese royalty. Few can really be sure of this, but it is true that Albion has always had a very upmarket image. [The Albion website is for information only and doesn’t offer on-line ordering.]

Albion’s most popular products are mainly skincare and foundation items. The Essential Skin Conditioner and Exage powder foundations are almost permanent fixtures on most best-selling and magazine readers’ favorite product lists.

One unique aspect of all Albion’s various skincare ranges is a creamy skin-softening emulsion that is applied in circular motion with a cotton pad before the toner and the moisturizer. The Albion sales assistants often remind customers that this moisturizer-like emulsion is not a moisturizer and that it is used to help the absorption of all the subsequent skincare products.

I have tried samples from Albion’s skincare routines but I personally didn’t enjoy using the skin-softening emulsions. They felt quite filmy on the skin and I didn’t feel like using any other product afterwards. Plus the circular motion during the application left my skin slightly red, not to mention that most of them had alcohol. (So do many of the toners.) But I am aware that some people swear by Albion’s unique skincare routines and can’t imagine using anything else.

So, with Albion, their makeup ranges are much more suitable for me to get a taste of the brand. I had long been interested in trying out Eprise, one of Albion’s makeup ranges. (Albion’s website is completely in Flash, so do click on the Albion link above to find the Eprise line.) As someone that loves blushers, when I saw Water Face Color from the spring 2008 collection, I almost instantly decided that this would be my first-ever Albion purchase.

(Eprise Water Face Color)
(image from www.albion.co.jp)

This item still features alcohol, which is third on the ingredient list (after water and cyclomethicone (a kind of silicone) and before talc). But, since this is applied after my toner and daytime mosturizer/sunscreen (occasionally after a makeup base and/or a liquid foundation as well), it doesn’t irritate my skin.

The bottle is shaken before application. The blusher liquid has a watery consistency and glides with ease. (But this is not a cheek stain and has a slightly milkier consistency than a typical water-based cheek stain.) It is very easy to blend and layers well for more intensity. The finish is softly luminous and non-greasy, without any visible shimmer. After the blending is done, it almost feels as if the color came from within the skin.

#100 is quite a natural pink for me. It has a bouncy feel but doesn’t make my cheeks look overly flushed.

Another aspect that impresses me is that the color is very long-lasting. I usually use a powder foundation so this liquid blusher would go underneath it. There were twice when I had it on for about 12 hours, and the fading was very minimal and barely noticeable. I was initially slightly worried that, like a couple of cheek/lip staining items I tested, the color wouldn’t easily come off with a cleanser, but it came off swiftly and effortlessly with my RMK Cleansing Oil.

Overall, this is a very good blusher for me. A little goes a long way, so this 10ml liquid blusher will last a long time and create a lot of long-lasting rosy cheeks. I have a feeling that it won’t be long before I am interested in trying another makeup item from Albion.

Related Posts:

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(one of my absolute favorites)

Boots No. 7 Cheek Colours
(home favorites)


Budget Princess: Majolica Majorca
(featuring two blushers from the line)

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(Eye Color Quad in 116 (left) and 117 (right))
(image from www.shiseido.co.jp/cpb)

Ever since I saw Clé de Peau‘s spring 2008 lineup on Japanese beauty magazines, I had been looking forward to seeing if the blue-purple eye palette would be featured for the main ad campaign and what the look would be like.

I was not disappointed when I saw this, to say the very least.

(Shiseido Clé de Peau Spring 2008 Collection)
(image from www.shiseido.co.jp/cpb)


There is a sense of softness and serenity, and the aqua blue eyeshadow doesn’t look out of place at all. The whole image has a water-painting quality to it.

I also feel that the blue worn on a large section of the lids conveys a quiet touch of confidence, assertiveness, and maturity that I find very appealing. It shows that a warm blue like this is not just a youthful and funky color. It can also look sensual and feminine.

Even though Clé de Peau has quite a low-key brand image, its recent collections have been very trend-sensitive. An edgy monochrome eye palette was featured in the fall 2007 collection. For this spring, Eye Color Quad in 117 combines the two hottest shades at the moment, blue and purple.

As I mentioned in the Spring 2008 Makeup Trend Report, while western brands are doing a lot of cold blues this season, Japanese brands are coming up with warmer blues. Clé de Peau’s spring 2008 lineup is just one example.

If I may, I am going to appreciate this beautiful image a little more…

Related Posts:

The Allure of Blue Eyeshadows
(Everyone can wear blue.)

Dior 5-Color Eyeshadow Palette in Seascape
(featuring a beautiful warm blue)

Must-Try Look for Spring 2008
(Are you wearing it?)

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(Loving the lilacs:
Lunasol Sheer Contrast Eyes in Lavender Coral)
(under sunlight and minimal artificial lighting)

The Sheer Contrast Eyes palettes are part of Lunasol‘s spring 2008 collection. Drawing inspiration from the vibrant colors of the ocean, the collection captures the rich and diverse hues and the rippling glimmer of the world below the sea level.
(image from www.kanebo-cosmetics.jp/lunasol)
The alluring shades are based on those of the coral reefs, and the palettes are aptly named Blue Coral, Green Coral, Lavender Coral, Orange Coral, and Coral Coral.
(Lunasol’s Sheer Contrast Eyes)
(image from www.kanebo-cosmetics.jp/lunasol)

Lunasol’s eye palettes are probably the brand’s most popular items. (Last year’s @Cosme reader survey reflected this, as the top three eye palettes are all from Lunasol.) Even though Lunasol had been one of my favorite brands, I never tried their eyeshadows. With Sheer Contrast Eyes’ eye-catching lineup, I thought it was time for me to dive in.

(under artificial lighting,
where shimmer is a little more visible on camera)
There was very little decision-making involved in which palette I wanted to try, and I am very pleased with what I got. Lavender Coral is a box full of prettiness…

— bottom right: very sheer pale yellow with a subtle gold undertone and plenty of sparkles
— top right: sheer pale pink with intense but fine shimmer
— top left: well-pigmented soft cool lilac with delicate shimmer
— bottom left: semi-matte deep warm violet with sparse shimmer

(All the shimmering particles are multi-colored. The sizes of the particles vary slightly among the four shades.)

The cool lilac is obviously the main shade in this palette. Not only is it one of the most visually beautiful lilac shades I have, it suits me very well. The pale pink is very sheer and mainly goes on as shimmer, but the abundant ultra-fine light-reflective particles and the superbly smooth texture make it both a competent base and a subtle but effective highlighter. (As a highlighter, this shimmery pale pink doesn’t have that harshness that some white or silvery highlighters may have.) The deep warm violet is a good eye-lining shade and isn’t so dark that it can look grey on the skin.

My only very minor issue is with the pale yellow, as the sparkles are a little bit on the big side for my personal liking. But this is not to suggest that it looks glittery or tacky. In fact, if you like high-voltage multi-colored sparkles with a pale-gold base tone, then you might really like this particular shade.

All the shades have a smooth and silky feel and are very easy to apply. They are also satisfactorily long-lasting.

I always tend not to over-layer my eyeshadows and keep the finish relatively sheer. For me, this palette, worn in this way, really stands out, because the subtle shimmer almost creates a unique wet finish. It resembles the surface of the glimmering sea under the sun and echoes so well the ocean theme of this collection.

I also came across a user’s comment on Lunasol’s eye palettes. Obviously from a Lunasol lover, her theory is that the only way to show that we are wearing the stunning Lunasol’s eyeshadows (and not possibly anything else) is to wear them sheer. Only by wearing them sheer can we do justice to the ultimate strength of Lunasol’s eye colors, which is the magical transparency showing through the rich pigments. Wonderfully said!

Even though I have several lilac eye palettes, each one is unique and different and this one is no exception, to say the least. I’ve understood first-hand why Lunasol’s eye palettes are able to draw people into the brand, make the brand more and more coveted, and widen the age range of loyal fans. I will continue to explore the possibilities of this palette and the essence of Lunasol.

Related Posts:

Must-Try Look for Spring 2008
(loving all the variations)

Spring 2008 Makeup Trend Report
(featuring the hot colors of this season)

Loving Japanese Brands: Lunasol
(how things got started…)

Coffret D’Or 3D Lighting Eyes in Purple Variation
(as fantastic as the Lunasol one, but in a very different way)

 

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